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— bachvereniging nl en bwv bwv-1001A project of the Netherlands Bach Society with the aim to perform and record all of Bach's works and share them online with the world for free With the finest recordings, performed at special locations and with great attention to image and sound — bachvereniging nl en bwv bwv-529This trio sonata for two flutes and basso continuo, BWV 1039, also exists in a version for viola da gamba and harpsichord Researchers suspect, however, that neither version is the original It may originally have been a trio sonata for two violins and basso continuo, although it is far from certain BWV 1038 Title Sonata in G major Instrument viola da gamba, harpsichord, traverso, violin Genre chamber music Year 1732-35 City Leipzig Special notes The violin sonata in G major, BWV 1021, from ca 1720, has a similar bass part The violin sonata in F major, BWV 1022, is an arrangement of BWV 1038 from the period 1732-35 and has a solo part for harpsichord A project of the Netherlands Bach Society with the aim to perform and record all of Bach's works and share them online with the world for free With the finest recordings, performed at special locations and with great attention to image and sound — bachvereniging nl en bwv bwv-967The sonority of these low ‘open strings’ reverberates throughout the whole sonata According to the eighteenth-century theoretician Johann Mattheson, G minor was “almost the most beautiful key”; one that “combines a rather serious character with spirited loveliness” and thus, in short, “lends itself well and flexibly to moderate This sonata is a style exercise in the Italian sonata form Around 1700, Italian music was booming All over Europe, musicians were enthralled by the daring harmonies, the flowing melody lines and the strong contrasts that Italy had to offer So in this sonata, we find a couple of things that are very unusual for Bach — bachvereniging nl en bwv bwv-525— bachvereniging nl en bwv bwv-1038— bachvereniging nl en bwv bwv-1039In this sonata, recorded here for All of Bach during the festive programme Bach’s Brewery, the ‘normal’ situation is restored The violin is given the melody and the other instruments (harpsichord, cello and theorbo) play only the bass line and the chords This sonata is a style exercise in the Italian sonata form Around 1700, Italian music was booming All over Europe, musicians were enthralled by the daring harmonies, the flowing melody lines and the strong contrasts that Italy had to offer So in this sonata, we find a couple of things that are very unusual for Bach — bachvereniging nl en bwv bwv-1023The sonority of these low ‘open strings’ reverberates throughout the whole sonata According to the eighteenth-century theoretician Johann Mattheson, G minor was “almost the most beautiful key”; one that “combines a rather serious character with spirited loveliness” and thus, in short, “lends itself well and flexibly to moderate This sonata is a nice synthesis of both styles, precisely in accordance with German fashions, but with a Bachian twist of harmonies that are extra colourful The second movement, Adagio ma non tanto, is particularly adventurous for the ear: little sighs, elegant triplets, exciting ties, unexpected twists, and leaps over the whole range of the — bachvereniging nl en bwv bwv-528BWV 525 Title Sonata no 1 in E-flat major Instrument organ Genre organ works Serie Six sonatas (organ) Year 1727-32 City Leipzig Special notes Probably an arrangement of a composition that has been lost — bachvereniging nl en allofbach— bachvereniging nl en bwv bwv-1021Generally speaking, a trio sonata is a sonata for two melody instruments and basso continuo Countless Baroque composers wrote trio sonatas, including Bach But Bach the organist often thought in keyboard logic, and so he wrote trio sonatas for just one instrument: the organ The two solo instruments were played by his hands (on two different manuals), and the bass by his feet This gave rise BWV 1005 Title Violin Sonata no 3 in C major Instrument violin Genre chamber music Serie Six partitas and sonatas for violin Year ca 1720 City Köthen, WeimarIn this sonata, recorded here for All of Bach during the festive programme Bach’s Brewery, the ‘normal’ situation is restored The violin is given the melody and the other instruments (harpsichord, cello and theorbo) play only the bass line and the chords Generally speaking, a trio sonata is a sonata for two melody instruments and basso continuo Countless Baroque composers wrote trio sonatas, including Bach But Bach the organist often thought in keyboard logic, and so he wrote trio sonatas for just one instrument: the organ The two solo instruments were played by his hands (on two different manuals), and the bass by his feet This gave rise In this Sonata in C major, he reused a short slow work from his Weimar period, now surrounded by newly composed fast outer movements, each with an equally impressive structure In addition, Bach cleverly integrated a variety of styles that should be mastered by a modern organist of the day This sonata is a nice synthesis of both styles, precisely in accordance with German fashions, but with a Bachian twist of harmonies that are extra colourful The second movement, Adagio ma non tanto, is particularly adventurous for the ear: little sighs, elegant triplets, exciting ties, unexpected twists, and leaps over the whole range of the